Jun 6, 2009

New method:

Per your comments, it seems a different approach is needed. Keeping it vague would be easier anyway.

Broad themes such as 

Adventure
Printmaking
Destiny
Music
(list will be added onto)

... that music thing was an idea that i had the other day. Perhaps i could make a print, and then also make it a multimedia presentation, with a cd player or something underneath, where you're supposed to listen to a certain song when you look at the piece.

That could be cool.

Jun 5, 2009

words of wisdom: Part I

Alright, I finally read the whole thing carefully. That is a lot to take in.

My first impression is that it does sound like a book evolving. I think you have LOTS going on and the story needs some clarification/editing. Big time. I think I know where this is coming from, you also make it fairly obvious in your statement. 

Being the peacemaker, I think it may not be a good idea to obviously vilify another media...just thinking here...stay with me. 

I am thinking about your work to date, that "fantasy" print shop etching, the gears, the planets. There is a mystery there that is very compelling. Evocative. Interesting. I worry that with your whole thesis riding on this one story that it gets too specific and doesn't allow much wiggle room for the viewer. There is a clash/struggle/discourse in the use of these images that show objects and spaces that are antiquated in a contemporary setting. Just the fact that you are choosing to use this imagery makes your statement for you. You are making art, using very old technology, of very old technology. It is CLEAR where your heart lies. 

You don't need to beat people over the head with a specific narrative. You draw them in with a whisper. Lead them, but don't tell them. Also, by not being very specific, you also allow a viewer who doesn't want to engage in this story a chance to just appreciate something that is GORGEOUS! 

If you want to show a specific clash of old and new think about how technology has changed and morphed. Look at the tools. The way you would have to open up a machine to find the gears, open up a computer to find the inner workings. Wouldn't it be cool if you found not only the differences, but also the common ground? What about diptychs? Can you make what is ugly to you in content, stunning to us visually.

Rambling, I know...but you got my brain going...

Subtle. Geoff. Try to find a quiet way to talk about this stuff.

I wish I could come up with some artists for you to look at...give me a while and I will try to get you some names.

BTW, so great that you are thinking about this NOW! The dialog is so important so that when you get back to campus you can hit the ground running!

Jun 4, 2009

Inkteraction

Inkteraction is basically like facebook for printmakers. Lame name, but its a good idea.

Here's my page:

Artwork already online

Here's some jpegs on deviantArt of some of my things. Most of them are pre-junior year of college. More will be posted on this blog, rather than on that site.

CCP Miniature Print Competition

So, each year, the Center for Contemporary Printmaking hosts an International Miniature Print Competition, of which, this year, I participated in.

Many millions of thanks to Tony Kirk, Master Printer and Artistic Director of the CCP for encouraging me to enter. (And probably for helping my piece to get as far as it did :D ) 

In the spring of 2009, Tony was a visiting artist at the Hartford Art School, and told all of us in his etching II class to partake in this once-a-year chance to be in an international competition. It would boost our resumes, and by golly, its about time we started. Each piece had a maximum size requirement of 4 square inches. Sadly, I was the only one of my classmates to enter, but it turned out to be a truly amazing reward:


Yup, thanks to T.K., my piece (Hands of Time (near the bottom)) not only made it into the show, but was awarded a purchase prize by Legion Paper. 

By the by, the piece isnt listed under G.Silvis (as all of my prints are now) but MOTHOP, which was a funny concept, but a poor choice of alias in the end :/

But regardless, hooray for T.K. pullin some major strings :D

Ideas

So, I've been trying to decide what to do for my thesis, and as of late, i've got some cool ideas, but nothing to hold it all together.

Basically, i want to have the idea/premise based around a central character, or group of characters, who come to realize that their lives in their homeland were much more personally valuable than the new places that they discover.

Metaphorically, i want to discuss the story in terms of how much sweeter printmaking is than say... graphic design (the so-called new-age savior of artists, and the 'only way to make it' in this modern age).

How this storyline goes, however, i am unsure. I've got a few ideas, based on previously recognized plot schemes:

Apocalypto-style:
       Here, our characters would be in happyfunprintmakingland, but would be abducted by digital/robotic creatures from the (opposite place our characters are from)... After being enslaved for a short time, they escape, and lead the rest of the slaves (artists) out of digital-dom, and back to the totally sweet landscapes of happyfunprintmakingland, with help from the printmaking gods (in the form of printmaking-transformer-type automatons). (B+)

Taken (a la mode)
     In this storyline, our character loses a friend to an evil country across the sea, who becomes enslaved and forced to work long hours and with unfair wages, in a hardly equitable work environment. Our hero creates his tools with which to rescue said friend, and travels to the ends of the world in order to bring them (and everybody else he finds) to the wonderful kingdom of happyfunprintmakingland. (B+)

One that i dont know if its from a movie or not-style
     This one, which is the one that i find to be the most original, though not the best, involves our character being tricked by an evil wizard. The wizard tells our hero that amazing things can be found in another land to the east. The only way to get there, however, is to find a series of objects strewn about happyfunprintmakingland, and give them to the wizard so that he could help our hero get to the land. He gets the objects, makes a map, gives it to our buddy, and sends him off into the wilderness. Hopping aimfully through the woods and over the hills, meeting scary 'monsters' along the way, all of whom tell him to go back and stay away from the gate leading to the other world.
     Our hero, stubborn as he is, doesn't listen. He just keeps goin, and eventually makes it through to the gate, passes through, and upon entering the other side, gets kidnapped and is forced to work in those unfair conditions that i described in the previous tale. He vows to escape and to destroy the digital king ruling over the slaves.


So, as you can see, i've got some basic themes running throughout all of my ideas so far:
- big, epic landscapes
- happyfunprintmakingland
- printmaking transformers
- graphic design can 'save it'

Not sure where it's all heading so far, but clearly, the parts of each story can be interchanged and compiled to make a good story, but i dont know if i've got enough to support a solid idea. Easily enough to make a solid body of work, but its not conducive yet.

Basic ideas that i want this thesis to entail:

Book:
     I really want this to be a self-written, original story, that can be printed in its entirety in a small pamphlet (10-ish pages, no bigger than 5x9), and also one full-scale book, with each page being its own print, with interlocking imagery and text. For the show, i would love to have each pagespread in its own frame, with the pamphlet books placed on the ends so that the viewers could not only read the words in the frames, but also take the books home to remember.
The pamphlets would be relatively simple. No super-fancy cover pages (but then again, im an admitted over achiever, and who knows where that could go.), and small, perhaps size 14 font, justified type to tell the story.
     The full-size pagespreads would be upwards of 15 inches tall, by 24-30 inches wide. Large, yes. Do-able? Maybe. Totally sweet if i could pull it off? Hellllllls yea. 
     Relatively muted scheme of basic colors. Sepia tones, blacks, browns, reds, blues, greens, and perhaps some yellow/oranges. 

I've got high hopes... as always, so we'll see how my stories evolve.

Jun 3, 2009

Images for Inspiration: Landscapes

So these images were found online, just to give me some inspiration for the sort of epic-ness that I'm looking for in my upcoming semester.

Despite my aversion to graphic design and computer-art, I gotta admit, these artists have their shit together.